Foto milik saudara Yodyan Chandraditya , Sebuah foto yang akan di hadiahkan kepada Ibunya saat Hari Ulang tahun~ semoga dengan foto yang telah di restorasi ini, memberi kehangatan untuk sekeluarga. Sehat selalu untuk Keluarga Bang Yodyan :)
Thursday, May 22, 2014
Restorasi photo milik Bapak Wija
Before and after restoration
Foto milik Bapak Wija, foto yang bersejarah bagi beliau, karena dalam foto tersebut, adalah ayah dari pak Wija. saat saya bawa foto ini kepada beliau, rasa senang dan bahagia terlihat dari senyumannya yang kaget saat melihat foto kenangan dari ayahnya di perbaiki dan langsung di beri warna. beruntung Bapak Wija memiliki foto yang sangat menarik, sebuah warisan untuk generasi berikutnya. bahwa leluhurnya adalah seorang pahlawan.~
Wednesday, March 26, 2014
Portrait of a girl with child on lap 1950
Portrait of a girl with child on lap 1950
Source BW photo = Tropen Musium
Dalam foto ini, terlihat ekspresi yang lugu dan polos anak anak Bali yang bertugas menjaga adiknya di kala orang tuanya sedang bekerja di ladang. foto yang sangat saya sukai entah kenapa, karena perasaan si kakak sangat erat terlihat karena tangannya yang erat memeluk sang adiknya. anak anak sekarang, yuk sayangi adikmu :)
Balinese Dancer 1920
Before and after restoration & colouring old Balinese photo~ 1920
Source BW photo : Tropen Museum
Monday, March 10, 2014
Restoration & COlouring I Ketut Mario
Profile figures in Denpasar, I Ketut Mario Culture is the figure of a dancer and also one of the creators of Balinese dance and she began studying dance since 1906. When learning to dance, he was roughly the same age as children begin to enter elementary school. Thus Mario was born estimated 1897. He had five brothers. Her parents live from farming. When the result of poor farming and plus it somehow Denpasar conditions at that time, his parents moved to Tabanan. Also unclear when the death of his father, and only his mother who raised him to be a servant in the castle Kaleran Tabanan. Thanks to the dedication that, given a place to live.
In his service in Castle Kaleran, of course I Ketut Mario perform all the activities of man in the castle include learning to dance. Anak Agung Made Kaleran see Mario had a flair for dancing. In 1906 Mario learn to dance on two dance teachers, the Pan Candri and Salit of Mengwi Gede. Calonarang can quickly mastered the dance. Captivating dance, movement Calonarang character that fans admire.
After Sekaa Pangkung formed Gong, Mario joined the dancers like I Gusti Rai Geredeg, I Nengah Wicket, and Wayan Cekeg. In this gong sekeha Mario's name became known. Mario talents in the field of dance and percussion evolved since he joined the Sekeha Pangkung Gong. This is where Mario studying, practicing, and then create. Persistence paid off. Terompong Dance, Dance Kebyar Sit, Oleg Tambulingan Dance, Dance cockfight, and Dance Dance Dragonflies Ngejuk Kakelik, is the result of the copyright is bequeathed to the world of Balinese art.
Sensitivity of feeling, imagination and perspicacity I Ketut Mario in the art has produced work that made his name immortal in the world of dance. In 1958 he traveled the world thanks to his art. Paris, Amsterdam, London, several cities in the U.S. and Canada has been a witness to his talents. Back in 1962 American tour with Gong Sekeha Pangkung. Abroad "Mario" was given the nickname The Great Mario as quoted Soedarsono (1953) in a (text) book, but the book was not published.
Aside from being a dance teacher, I Ketut Mario had also worked at the Dutch Government agencies (1938), namely the Office of Tabanan Landschap then moved to the Office of the Courts. Mario is married to Ni Made Jereg (later called Men Rikan) but not blessed with children. He then raised a boy named Putu Kerta (died 1993).
I Ketut Mario works now almost unparalleled, especially dance Oleg Tambulilingan. If there are Balinese dance performances in hotels, dance Oleg Tambulilingan often one dish. This dance is an impressive beauty of the romantic gestures to weave, graceful a beautiful princess. While Tambulilingan male dancers with dance performances bebancihan son danced with stout line with movements Tambulilingan (beetles) in the flower garden. This dance illustrates a pair of beetles (male and female) is sucking the flower in the garden, flying back and forth while romp. Male and female beetles making love with a romantic atmosphere in the flower garden. Audience will be invited to witness the romantic imagination.
Restoration Old Photo
Colouring and Restoration Balinese dancing girl, old postcard, 1930s
Balinese dancing girl, old postcard, 1930s
Sunday, March 9, 2014
Colouring Rudolf Bonnet
Johan Rudolf Bonnet (30 March 1895, Amsterdam - 18 April 1978, Laren) was a Dutch artist who lived much of his life in the town of Ubud on Bali, Indonesia.[1] He was born into a Dutch Huguenot-descended family who had been bakers for many generations. He attended the Rijksakademie van Beeldende Kunsten in Amsterdam.
He was invited to live in Ubud in 1929 by Cokorde Gede Raka Sukawati.[2] Between 1929 and 1940 Bonnet stayed in Ubud and became involved in community issues including healthcare and education. He was also very involved in the Pita Maha movement, which encouraged local artists to raise their artistic standards. After the Japanese arrived in Bali, Bonnet remained free until 1943, when he was ordered to be sent to Sulawesi. He spent the remainder of World War II in internment camps in Pare-Pare, Bolong and Makassar.[3]
He was forced to leave Bali in 1957 after he refused to sell a painting to President Soekarno; he was able to return 15 years later.[4]
Rudolf Bonnet died in Laren, Holland on April 18, 1978. His body was ceremonially cremated in Bali in 1979.[5]
Colouring Ni Pollok
Adrien came to Bali at Singaraja by boat in 1932. He then stayed in Denpasar Le Mayeur and was fascinated by what remained then of Balinese culture, including the Balinese people's traditional way of life, the temple rituals and local dances. He was also impressed by the light, color and beauty of the surroundings in the then still quite unspoilt island.
Le Mayeur rented a house in banjar Kelandis, Denpasar, where he got acquainted with 15-year-old legong dancer, Ni Nyoman Pollok, known by her nickname Ni Pollok , who later on became Le Mayeur's model for his paintings.
A number of Le Mayeur's Bali works using Ni Pollok as model were exhibited in Singapore for the first time in 1933, which turned to be a very successful exhibition and made him more widely known. Returning from Singapore, Le Mayeur bought a piece of land at Sanur beach and built a house. At this house, which was also Le Mayeur's studio, Ni Pollok with her two friends worked every day as models. The beauty and splendid figure of Ni Pollok had made Le Mayeur enjoy his stay in Bali. At first he intended to stay only for 8 months, but later on he decided to stay in the island for the rest of his life.
After three years working together, in 1935, Le Mayeur and Pollok got married. Le Mayeur kept on painting with his wife as his model during their married life. During the Japanese occupation of Indonesia in World War II Le Mayeur was put under house arrest by the Japanese authorities. He continued painting, however, often painting on rice sack cloth and other surfaces he could find. After the war Le Mayeur's reputation grew at steady pace.
Years after the Proclamation of Indonesian Independence, Bahder Djohan, the Indonesian Minister for Education and Culture visited Le Mayeur and Ni Pollok at their house in 1956. He was greatly impressed with the painter's work and therefore suggested to the couple that their house and all its contents should be preserved as a museum. Le Mayeur agreed to the idea and since then he worked harder to add more collections to the house and to increase the quality of his works as well.
At last, Le Mayeur's dream came true that on 28 August 1957 a Deed of Conveyance Number 37 was signed, stating that Le Mayeur had given all his possessions including the land, his house with all its contents to Ni Pollok as a gift. And at the same moment, Ni Pollok then conveyed what she had inherited from her husband to the Government of Indonesia to be used as a museum.
In 1958 Le Mayeur suffered from a severe ear cancer, and accompanied by Ni Pollok he returned to Belgium to have a medical treatment. After two months in Belgium, on 31 May 1958 the 78-year old painter died and was buried in Ixelles, Brussels. Ni Pollok then returned home to take care of her house which had become the Le Mayeur Museum. She stayed there until her death on 18 July 1985 at the age of 68. Le Mayeur and Ni Pollok's home is kept in its original condition and is still a museum where about 80 of Le Mayeur's works are exhibited, as well as his collection of traditional Balinese art and local artifacts.
Colouring I Gusti Ketut Jelantik
Gusti Ketut Jelantik (-1849) was a Balinese Prime Minister of the state of Buleleng, who resisted the imposition of Dutch treaties.
He became a leader in the resistance against the Dutch invasion of Bali, fighting them in several Dutch military interventions: the Dutch intervention in Northern Bali during 1846, 1848, and 1849.
In 1849, he escaped the Dutch offensive in Buleleng with the ruler of Buleleng, and fled to escape to allied Karangasem, but he was ultimately killed in an ambush by forces of Lombok, allies of the Dutch.
He has been designated, with I Gusti Ngurah Rai, as one of only two Balinese Indonesian National Heroes
Monday, March 3, 2014
Coloring Ida Bagus Mantra
Prof. Dr. Ida Bagus Mantra (lahir di Badung, Bali, 8 Mei 1928 – meninggal 10 Juli 1995 pada umur 67 tahun) adalah Gubernur Bali periode 1978–1988.
Photo hitam putih Bapak Prof. Dr. Ida Bagus Mantra saat masih muda ini saya dapatkan saat bekerja di sebuah studio photo pd th 2008 dan akan di delete/back up. jd saya menyimpannya sampai saat ini. foto ini telah saya warnai dan di restorasi kembali, untuk mengingatkan, Gubernur terbaik Bali yg pernah ada menurut saya . menjadi panutan dgn kebijakan2 beliau yg menjaga Bali seutuhnya. Seorang arsitek budaya Bali.
Friday, February 14, 2014
Contact Us
Penyelamatan, pengarsipan dan digitalisasi sudah sewajibnya kita lakukan, guna menyelamatkan asset berharga untuk masa depan. Apakah kita menunggu foto tersebut menjadi rusak, hancur dan menjadi abu? Sungguh pedih rasanya, karena masa lalu tidak bisa terulang lagi..
I Komang Ugrasena
Address : Tukad Balian Street, Renon (80225)
Denpasar - Bali
Indonesia
Phone : +62 8573 767676 5
Email : senamuska@gmail.com
Thursday, February 13, 2014
about
My Name is I Komang Agus Ugrasena other people call me Sena Muska,
I'am Digital Imaging expert like Restoration , Retouching, Colouring, and Photography. and Teachers in primary school.
Address : Tukad Balian Street, Renon (80225)
Denpasar - Bali
Indonesia
Phone : +62 8573 767676 5
Email : senamuska@gmail.com